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This bizarre and brutal horror film featuring a Josef Fritzl-style storyline adds a misjudged extra-horror factor to its final minutes. There is something puppyishly likable in this romantic comedy starring Anna Faris desperate to snag a marriageable man. Reimagining the Smurfs as 'mythical' not fictional is one of many horrors. But it's just a piece of summer silliness, right?
Hyperventilating update of Jane Austen's Emma sees Audrey Tatou scampering about trying to spice up her mum's lovelife. Yes, yes, cowboys punching aliens in the face can be funny. But it doesn't make this silly endeavour worthwhile, says Peter Bradshaw. Susanne Bier's Oscar-winning drama means well, and ought to feel relevant, but there's just something lacking. Julie Bertuccelli's film is an outrageously twee , spiritual and supercilious drama, set in Australia, about family and grief.
The 90s TV series let us into the dark, surreal and downright odd world of Lars von Trier. A big CGI planet is threatening to wipe out the world β if only it would hurry up and end Lars von Trier's clunky , tiresome film. A tough, sturdy thriller set in Kinshasa suggests an impressive future for director Djo Munga. Natalie Press stars in an overwrought drama full of doomy, portentous and borderline-ridiculous dialogue, says Peter Bradshaw.
A Canadian-Indian comedy that has gentle but obvious things to say about the clash of cultures. Russell Brand, voicing an Easter Bunny who wants to be a rocker is the main attraction of this cruddy kids' film that mixes live action and animation, says Peter Bradshaw.
An extended inter-generational soap with more than a hint of King Lear set in the British-Asian community. It clanks and wobbles , says Xan Brooks. Disney is in uninspired mode for a version of the Grimm fairytale about the hairy heroine. By Peter Bradshaw. Hanging on to the plot of this romcom is less of an issue than hanging on to your lunch.