Are we going to believe that Emily Dickinson tried to tell about very exceptional Ears, Bees, or Birds, so peculiar that you write them with capital letters? The text makes fair use of standard copyright, for the purpose of fascicle and print comparison: Thomas H. Johnson, The Poems of Emily Dickinson. The first print selected verses, along with a few by Carl Sandburg, are semantic field exercise in part four of the Travel in Grammar.
Around copies sold within months, which was really a success those times, and further prints were done. In their edition, mostly the shape of the stanza might cause reservations, but book sales proved the poetry was appreciated favorably. He elaborated on manuscripts that Harvard University received in , as a gift from Gilbert H. The poet, as well as her readers, would know proper spelling and punctuation, even if only simply aware of the founding texts, the Declaration of Independence, the Constitution, or the Bill of Rights.
Outside the style, we may have capital letters to specify on terms. John Carter capitalized the Constitution as that of the United States. Emily Dickinson certainly did not mean her poetry for just a joke, though her poems show a sense of humor as well. They knew how she made notes, or drafted poems, and what a clean copy was to look — according to her own resolves. Most of the pieces never were finalized by the poet for print, and all formats today are editions that compare somewhere between the first draft and the Declaration of Independence as published, in text refinement.
There always is a simple question: do we believe Emily Dickinson tried to tell about about Bees, Ears, or Birds so extraordinary, that you write them with capital letters?
It is handwritten in pencil. If Emily Dickinson used such big letters, there had to be a reason. Image contrast is enhanced. Houghton sample FC. To compare the Diadεms , Dogεs, Surrεndεr , and Firmaments along with soundless , we might think about word stress and vowel length. With shapes as εntirely, mε, and rεsurrections, in the handwritten Renunciation as published by Little, Brown and Company in , and the Edεn of the Wild Nights Houghton, sample number by Franklin , we may think about vowel quality, low or high, in some general contour.
