Complete your order to earn points. A rural Indonesian village. A woman walks away from a shop carrying her shopping as a man drives past on a motorbike. An old man with a moustache and white shoes sits at a dining table with a cigar. He talks to a younger man. Ajo and another man are on motorbikes racing towards each other.
They race to pick up a green bottle from the floor first. Ajo wins and raises it in the air. A caption reads: Four Stars. Wilson Kwong, Easternkicks". Ajo smokes a cigarette as he sits at a table. He looks very nervous as he looks down at the table. On the table we see a photograph circled with an old man dressed like a hunter with safari hat, long hair and rolled up sleeves. He poses with another man and a dead boar. A caption reads: "Vibrant portrait of absurdist aggresion David Cuevas, Filmhounds.
A caption reads: "An unforgettable roundhouse kick to all of the macho cinema of the past. Arrow Films. Ajo Kawir Marthino Lio is a fighter who fears nothing, not even death. But his raging urge to fight is driven by a secret - his impotence, resulting from a traumatic childhood memory. When he crosses paths with a tough female fighter named Iteung Ladya Cheryl , Ajo gets beaten black and blue, but he also falls head over heels in love.
Will Ajo's path lead him to a happy life with Iteung, and, eventually, his own peace of mind? With echoes of early Takashi Miike, Vengeance is Mine, All Others Pay Cash is a wild and unexpectedly poignant meditation on toxic masculinity and a culture steeped in violence from one of Indonesia's most exciting directorial voices. Product Features. In stock.
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