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Sales Contacts. Ordering from Brill. Editorial Contacts. Offices Worlwide. Course Adoption. Contact Form. Manufacturer information: Koninklijke Brill B. Social Media Overview. General Resources. Terms and Conditions. Privacy Statement. Browse Our Titles. Login to my Brill account Create Brill Account. Author: Andrea Pearson. In Gardens of Love and the Limits of Morality in Early Netherlandish Art , Andrea Pearson charts the moralization of human bodies in late medieval and early modern visual culture, through paintings by Jan van Eyck and Hieronymus Bosch, devotional prints and illustrated books, and the celebrated enclosed gardens of Mechelen among other works.
Drawing on new archival evidence and innovative visual analysis to reframe familiar religious discourses, she demonstrates that depicted topographies advanced and sometimes resisted bodily critiques expressed in scripture, conduct literature, and even legislation. Governing many of these redemptive greenscapes were the figures of Christ and the Virgin Mary, archetypes of purity whose spiritual authority was impossible to ignore, yet whose mysteries posed innumerable moral challenges.
The study reveals that bodily status was the fundamental problem of human salvation, in which artists, patrons, and viewers alike had an interpretive stake. Copyright Year: E-Book PDF. Login via Institution. Prices from excl. View PDF Flyer. Contents About. Biographical Note Andrea Pearson, Ph.
She is an associate professor of art history at American University in Washington, D. Those interested in art and visual culture, the history of sex and gender, garden history, and devotional imagery in late medieval and early modern Europe, especially the southern Low Countries. Keywords: visual, medieval, Renaissance, bodies, sexuality, women, gender, devotion, landscape, monasticism, disability, Mary, Christ, infancy, Canticum canticorum, Song of Songs.
