Alex Joganic Project is the Birmingham, AL-based designer of Matches , an octagonal typeface , Ciclista , a casual monoline typeface , Superior , a handcrafted sans , The Victor , handcrafted , Zara Elyse script , Fernweh , a handcrafted typeface with a vintage wood type look and Xander , in Sans and Serif: 19th century all caps typeface family with a wood type look. Typefaces from Garment District a free monoline script designed together with Jeremy Vessey , Crafter a free vintage metal sign emulation font , Grandfather brush script.
Typefaces from Understock vintage. Typefaces from Doric a display typeface by Alex and Emma Joganic , Darker, Clever a sharp-edged display typeface with negative angle and the coathanger lower case f that is de rigueur in , Sonder a decorative serif with diagonal stress.
Typefaces from Roslyn Leigh combining art nouveau with hipsterism. Lviv-based Ukrainian designer b. Dafont link.
In , he went commercial as 2D Typo. The first typeface at 2D typo was the modular pixelish Pressure Drop 2D This was followed by Ornamental Deco 2D , art deco ornaments , Rally Symbols 2D , Mascaron2D , by Iryna Korchuk , Depot Trapharet 2d , a stencil based on the tram lettering in Lviv , Ascetic 2D , Hutsulyandiya , extraordinary ornaments by Iryna Korchuk , Simeon , calligraphic , Cranked Pipe 2D , Tripyllia 2D , ornaments of the neolithic Trypillya culture , and Ukrainian Barokko , a calligraphic typeface by Genadij Zarechnjuk , Historism Border , border ornaments , Moreske 2D , ornaments , Geomanticus , modular squarish sans.
In , he created Angusto an elegant narrow shaded display typeface family , Vindemiam ornamental borders , Squamish ornamental borders , UA Map maps of Ukraine dingbats and Bohemian Border. Typefaces from Finetitle ornaments for headers , Gothic Herbarium a floriated ornamental font based on the Gothic Revival ornaments developed by Augustus Pugin , Old Depot rough stencil , Francesca decorative caps. Typefaces from Geometric Harmony geometric ornaments , Dubster which he describes as a technocratic modular font.
