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By providing your information, you agree to our Terms of Use and our Privacy Policy. We use vendors that may also process your information to help provide our services. She enters into a kind of Faustian setup with a lecherous film producer that drives Fabian into jealousy, and threatens their otherwise idyllic courtship of love letters and trips to the country. Is that nothing? In an underwritten role, Saskia Rosendahl is quite remarkable as Cornelia, a woman whom like everything else in his life, Fabian has idealized and treated as a vessel onto which to project his hopes and failures.
Women, like the clown car of prostitutes smothered in ghastly makeup and flung out of a Toulouse-Lautrec painting from Lynchian hell, tend not to fare well here, and that may have something to do with misogyny in the source material.
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