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How deep can you go down to remember who you are? Marina lives in Paris and writes about the Soviet monotowns - the industrial settlements built for the needs of one giant factory. To finish her research she goes back to her native Ukrainian monotown which still remembers the suicide of her father-miner 18 years ago.
Marina faces a difficult personal choice: to restore collective memory as a scientist or to honour private memories as a daughter. In particular I explore the nature of memory and the influence of the Soviet past which still poisons the minds. They felt no past behind them, no roots, no historical continuity.
And their grand-children inherited it. I want to show how just one fake picture can substitute the collective memory of the whole town. I put this philosophical concept in an investigative story.
But the thing my heroine is looking for is actually her identity, erased by propaganda. Founded in as a commercial production company, it started to do service production in Ukraine for long formats in While doing service projects, in , it turned to production of national content.
Having started with some documentaries by state order, TOY Toy Cinema received first financing for its own feature films in Marie-Clementine is a Rwandan director and producer. Her short films have been presented and awarded at several festivals, including the Carthage film festival where she won the Tanit de Bronze in and Rwanda, The country is emerging from an era of silence after the Tutsi genocide, and people's courts are being set up with the aim of bringing justice and reconciliation.